
- this will be very interesting to those who, like the Stumblng Tumblr, are jazz fans, but it’s very sad at the same time
- Phil Schaap is the peg from which the story hangs
- some of the most disheartening snippets in the story:
Jazz today is responsible for only around three per cent of music sales in the United States, and what even that small slice contains is highly questionable. Among the current top sellers on Amazon in the jazz category are easy-listening acts like Kenny G and Michael Bublé.
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Just after starting as a d.j. [at the end of the 60s], Schaap began organizing musical programs, mainly at the West End, on Broadway at 113th Street. He managed the Countsmen—former sidemen for Count Basie—along with other groups made up of refugees from other big bands, and got them work. Older musicians, such as Jo Jones, Sonny Greer, Sammy Price, Russell Procope, and Earle Warren, who had known Schaap as an eccentric teen-ager now welcomed him as a meal ticket.
“When I was a child, I lived under the illusion that these performers, who put on such an excellent front, dressed to the nines and acting like kings, made real money,” Schaap said. He lost that innocence about forty years ago, when he happened to glance at a check made out to Benny Morton, a trombonist who had been with the Fletcher Henderson and Basie bands. “It was for fifty-eight dollars, and it was for a gig at Carnegie Hall,” Schaap recalled. … World-class musicians were scrounging for work. Performers who had enjoyed steady employment took second jobs as messengers on Wall Street, bus drivers, and bank guards.
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Ornette Coleman, Sonny Rollins, and a few other giants of an earlier time still roam the earth, but even they cannot reliably sell out a major hall. Coleman’s concert at Town Hall in March was as thrilling a musical event as has taken place this year in New York. The theatre was at least a quarter empty.
- the image above, taken in Lincoln Cemetery, Kansas City, MO, is from here
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